Burning the midnight oil with ILFORD HP5+ 400 @1600 Posted On 31st December 2024 To Magazine & Stories
Back in August 2000
Last time I have attended a night concert was back in August 2000, Bon Jovi playing at the old Wembley Arena. Great times, really great; but as with all good times, that concert was the last one for me. Life got in the way, and what with this and that, I stopped going to such events. Still have the stub from the BJ's gig, though.
With Some Reluctance
But life has a funny sense of going round in circles and so I got to experience again the thrills of a night concert. My daughter (14) decided that she wanted to attend this thing in our town, a 3-day concert, with lots of artists playing lots of rock. I have barely heard of one or two players, only because they are played over and over again on the radio. But when one's (almost) teenage daughter orders, one has to click one's heels and comply. And I complied, with some reluctance though; hard to get a guy my age to be thrilled to bits for going on a night gig.
Summer Late Evenings
And so I took a Nikon F2AS with Nikkor 105/2.5, loaded with ILFORD HP5+ which I pushed to 1600. Summer late evenings here are not really dark, and the event would have plenty of artificial lights going on, so I thought 1600 would be about right up my alley, for both mild light and dark scenes. Upon our arrival at the gates the light was really good, still sunny after a fashion, but as my roll was already dialled in and already had a few shots on the film, I left it as it was. The 105/2.5 played here the role of a mid-tele lens, for I was too lazy to get my 135/2.8 out of my cupboard. Yeah, I know.
The whirlwind of youth
Took us a while to get through the admission gates, and once inside, the whirlwind of youth engulfed me. They say that when you're surrounded by young people you feel young too; that is so right. Legions of teens going about their preferred places, food booths, drinks and refreshments galore, and so forth. I was a bit surprised at the apparent lack of control on the drink thing, seemed to me the teenagers could've buy all the alcohol they wanted. I cannot say this is true, for I was not there in my professional capacity, but from what I saw, the control could've been better. Anyways, this piece here is not about that.
What an experience
I took some portraits, not the best and not in the manner I would've liked, but they are not bad. Shooting in this active and bustling environment is a bit challenging, people coming and going in a crammed space, so of course one cannot go back or forth to frame anything in a proper manner. But I do like the shots, they are what they are: a night out within a very fluid gathering of beautiful, having lots of fun, young people. What an experience.
I lost a few frames
As intended, my shutter speeds were great, no shot wasted. I mean, I lost a few frames, but of my own fault; both the camera and lens behaved very well. There were situations when I would have liked to have 135/2 or a 50, but generally, the 105/2.5 held its own and delivered. As for the film, wished I had some more with me, but the only other roll in my small bag was a Rollei RPX 25 (how the hell that got in there?). So, I was left with only the one I had in my camera. Planning, you know.
Partying like there was no tomorrow
We left in the wee hours, by which time the fervour of the event never lessened. These teens were partying like there was no tomorrow, which reminded me of my own party days. Those were the same, I was the same. It's nice to get back to your memories, when you are accompanied by your daughter, building hers.
It made perfect sense to me
A few last shots, and we took our leave, tired (me), but with a happy daughter in tow. As much as I wanted her to bring her own film camera, she declined before we left house. It made perfect sense to me, that was a night to have fun not to shoot film. That was daddy's role, which I took gladly and obliged. The things we do for our loved one, eh?
I am really thrilled and happy to have spent the night out with my dearest; such moments cannot be revisited. They grow up so fast, and one day this is all I'll have: memories. To cherish and remember.
Images ©Julian Tanase
About The Author
Julian Tanase
My name is Julian, current residence in Romania. I started film photography while in high school, in the mid-80s, mainly working with East German and USSR films and cameras. That was a good time to learn this film thing step by step. Most formats I use are 35mm and 8×11 Minox.
I am an entrepreneur, and I enjoy travelling. My cameras are an eclectic gathering, ranging from Kodak Retina to Nikon FM3a to Olympus OM 1-digit series, from Minox 8×11 to 16mm subminiature format. I also enjoy some 120 medium format photography, using a old but serviced and cherished Rolleiflex 2.8F.
I shoot mainly black and white, with some colour every now and then. Film wise, my first three preferences are Ilford HP5 400, Ilford Pan F50, Agfa APX 100 & 400. These are favoruites in any of the formats I use; Minox films are cut from these stocks. I develop and scan my own films (b&w), colour ones I send to the lab. Btw, I am not a digital user, although I do shoot digital for my business projects only.
I enjoy writing articles for various photo magazines, nothing big. These allow me to focus on specific issues regarding my photography, sort of an introspection if you’d like; documenting and writing an article is a good exercise in learning about favourite subjects on film photography.
My website: http://www.juliantanase.com
Selections and portfolios: https://juliantanase.smugmug.com/ , https://grainery.app/u/julian_t
Instagram: https://www.instagram.com/minox.and.all/
Thank you all for your kind interest!