Film

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  1. Processing Film – Tips for Loading Film into a Developing Spiral

    Having shot a roll of black and white film it now needs to be processed to create the negatives. At this point your film is still light sensitive so should not be exposed to light. Processing your own film can be highly satisfying and cost effective. It is also easy to learn. The most common method […]

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  2. Introduction to ILFORD Film Developers

    What are film developers? Film developers are a photographic chemical that turns your exposed film into working negatives as part of a processing workflow. (You will also need a stop bath and fixer – for more information on how to process your film or which chemistry to choose read our guides). We offer a broad […]

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  3. Beginners Guide to Processing Film

    Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography. While trying it for the […]

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  4. Choosing your first ILFORD film

    ILFORD PHOTO offer the biggest range of black & white films on the market today. While this is perfect for experienced film photographers who love having a choice, we appreciate that it can be a bit confusing for people new to film photography. If you are looking to try film photography for the first time […]

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  5. Beginner's Guide to Choosing Chemicals for Processing Films

    This guide focuses on the photo chemicals you can use for processing film. We also have a guide to processing film as well as some handy tips on loading a developing spiral. Choosing photo chemicals We have a range of photo chemicals designed to give different results with our films and papers. The choice of […]

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  6. What is a Negative?

    You have loaded film into your camera, composed your image and pressed the shutter. You have now captured an image on your film. When that film is processed, it reverses the tones of the subject. In simple terms, the image is dark where the subject was light, and light where the subject was dark. That […]

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