The store will not work correctly in the case when cookies are disabled.
We use cookies to make your experience better.To comply with the new e-Privacy directive, we need to ask for your consent to set the cookies.Learn more.
This week’s interviewee, Wesley Verhoeve has been on our radar for a while so we were thrilled when he was nominated to take part in this series making him our 44th interview. Section 1 – Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It’s […]
The logical Course I think it is adequate to say that the pandemic provoked many changes for everyone. From the upheaval of our everyday lives to the anxiety over our health as well as that of our loved ones, we all quickly realized that things would not be the same. For us analog photographers that […]
We are lucky here that so many of our staff are passionate about our products not just because they are proud of the brand but also because they use them themselves. Just like our 6th Behind The Film interviewee Mari. Who are you? What’s your job title HARMAN technology and how long have you worked […]
Light and Details Black and white photography is a huge component of my process. The timeless quality that is perceived through its tones is something that has drawn me to photography since I was a young kid. Photographing in monochrome not only simplifies the image but, I think helps draw the viewers eye around the […]
The star of this week's #ilfordphoto #fridayfavourites #35mmpanf theme is the slowest film in our collection. Rated at ISO 50, PANF+ is a high contrast, super sharp black & white film with exceptionally fine grain. @jangottweiss #ilfordphoto #fridayfavouries #35mmpanf @ILFORDPhoto NEXT WEEK We're at The Photography Show next week so we'll be […]
SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I have many beautiful prints from an Ilford negative. One Ilford film that always interests me is the Ortho 80. Being less sensitive in the reds it renders reds as dark or sometimes […]
