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  1. Three generations of film photography

    Sharing the skills and the passion My name is Hank Webber and, together with my wife Marie, we own and operate Webbers Photography Within my family, I’m a third generation photographer. It all started with my Grandfather in the 1920’s who then passed the skills and passion to my Dad and his brother, my Uncle […]
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  2. Friday Favourites 26th April 2019

    We kept it simple for this week's #ilfordphoto #fridayfavourites and asked you to share images shot on our films. There were s many great shots to choose from but in the end we chose these as our favourites.         Next week As it is Woldwide Pinhole photography Day on Sunday, we are […]
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  3. Friday Favourites #ILFORDchemistry

    A fairly straightforward #ilfordphoto #fridayfavourites this week with a theme of #ilfordchemistry. We asked you to share shots that you had developed or prints that you had made or toned useing our chemicals.       Next week As we only have a short week next week and many of you will be celebrating Easter […]
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  4. Friday Favourites #shotonpaper

    We're seeing an increase in the number of people who are creating paper negatives as well as those who are shooting on HARMAN Direct Positive paper so so for this week's #ilfordphoto #fridayfavourites we asked you to share images that you #shotonpaper. These are our favourites.   @ozalba Shot on paper in a 19th-century plate camera, here's an […]
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  5. Friday favourites #contactsheets

    For this week's #ilfordphoto #fridayfavourites we asked you to share your #contactsheets Contact sheets are a great way to review and record your images. They allow you to view all the negatives on a roll of film before deciding which ones you want to print and how you may want to crop them. They also […]
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  6. Winter in black and white

    Towards the end of 2018 I was reviewing some of my Autumn film photography and feeling put off by the results. I've been working with film for some now in an effort to take advantage of the superior dynamic range. And, when shooting in strongly backlit scenes to move away from silhouettes and ambiguity and […]
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